Present Books In Favor Of Coriolanus
| Original Title: | The Tragedy of Coriolanus |
| ISBN: | 019832006X (ISBN13: 9780198320067) |
| Edition Language: | English |
| Characters: | Gaius Marcius Coriolanus, Volumnia, Tullus Aufidius, Menenius, Brutus, Sicinius, Cominius, Virgilia, Valeria |
| Setting: | Rome(Italy) |
Description Conducive To Books Coriolanus
After the exotic eroticism of Antony and Cleopatra, Shakespeare returned to Rome for one of his final tragedies, and the change could not have been more dramatic. Coriolanus is one of Shakespeare's harshest and most challenging studies of power, politics and masculinity, based around the life of Caius Marcius.Based on the Roman chronicles of Plutarch's Lives and Livy's History of Rome, the play is set in the early years of the Roman Republic. Its famous opening scene, particularly admired by Bertolt Brecht, portrays its citizens as starving and rebellious, and horrified by the arrogant and dismissive attitude of Caius Marcius, one of Rome's most valiant but also political naive soldiers. Spurred on by his ambitious mother Volumnia, Caius takes the city of Corioles, is renamed Coriolanus in honour of his victory, and is encouraged to run for senate. However, his contempt for the citizens, who he calls "scabs" and "musty superfluity" ultimately leads to his exile and destructive alliance with his deadly foe, Aufidius. Despite its relative unpopularity, Coriolanus is a fascinating study of both public and personal life. Its language is dense and complex, as its representation of the tensions built into the fabric of Roman political life. Yet it also contains extraordinarily intimate scenes between Coriolanus and both his mother, who ultimately proves "most mortal" to her own son, and his enemy Aufidius, whose "rapt heart" is happier to see Coriolanus than his own wife. One of Shakespeare's darker and more disturbing plays. --Jerry Brotton
Point Epithetical Books Coriolanus
| Title | : | Coriolanus |
| Author | : | William Shakespeare |
| Book Format | : | Paperback |
| Book Edition | : | Oxford School Shakespeare |
| Pages | : | Pages: 208 pages |
| Published | : | January 29th 2004 by Oxford University Press, USA (first published 1623) |
| Categories | : | Plays. Classics. Drama. Fiction. Theatre. Literature. Historical. Historical Fiction |
Rating Epithetical Books Coriolanus
Ratings: 3.72 From 12144 Users | 748 ReviewsArticle Epithetical Books Coriolanus
There are many gods, and when we organize and rank them we go too far, we ask too much of them.- "Women and Men", Joseph McElroyI am certain that had this play been written by anyone other than Shakespeare it would be venerated as a major work; performed and discussed perhaps in the way Hamlet, King Lear or Macbeth are. Written late in The Bard's career (it is the last of the Tragedies and the Histories), Coriolanus is his work that might be the most relevant and relatable to our modern world.This play took me by surprise, I had not heard of it before and only read it because I wanted to watch the adaptation with Tom Hiddleston. And lucky me, this was such an interesting play and this edition was just the right one to give me enough background information and interpretation ways that I could make the most out of the play.Being thus prepared I could appreciate the adaptation a lot better and enjoyed it tremendously.I can only recommend it, if you get the chance to watch it.
Coriolanus solidified my Shakespeare obsession. I'd become familiar with the canon--Hamlet, Macbeth, Julius Caesar, The Tempest, R&J, etc--but then I read Coriolanus and couldn't believe it. There was this play, rarely talked about, that's as brilliant--if not more brilliant--than all the others so often listed as required reading. It was like discovering life on Mars.From the first line, I devoured the pages faster than I would a John Grisham novel. Shakespeare's language, sometimes
I really don't get this play. Why was everyone so obsessed with Coriolanus? Like, people either really loved him (and excused all his shitty behaviour without a second thought) or they literally hated him and wanted to see him tortured or killed. In the first act, we are thrown into the action without much explanation as to why the plebeians hate Coriolanus (then known as Caius Marcius) so friggin' much. I mean, when he steps onto the scene it becomes kind of apparent because he is the biggest
I'm told Coriolanus, the person, is unlikeable, but I happen to like him. I don't even think he's a right-wing bastard, just shy, awkward and misunderstood. It's his severe self-effacement that makes him hate publicity. Who wants to stand in the market and exhibit your wounds in a stupid political stunt? And his thickheadedness, the fact he has no idea when to use that soldierly bluntness and when to keep his trap shut, is a naivety I like against the politics of Rome. He's a soldier, yes, but
In my review of Plutarchs Lives, I noted the stark difference between that ancient authors conception of personality, and our own. For Plutarch, character was static and definablean essence that is manifested in every decision and remark of a given person. Compare this with Montaignes or Shakespeares portrayal of personality: fluctuating, contradictory, infinitely deep, and ever fugitive. To borrow a metaphor from Oswald Spengler, the Plutarchian self is statuesque, while the Shakespearian self
In anticipation of the release of a new filmed version of Coriolanus, I reread the play in Dec 2011.It remains a difficult play to enjoy, and I'm going to retain my 2-star rating - it's OK compared to other Shakespeare plays.The protagonist is an arrogant, spoiled, immature patrician whose disgust for Rome's plebeians is so manifest and violent that his enemies easily manipulate the citizens into banishing him. He flies to his chief enemy, Tullus Aufidius, the leader of the Volsces, and returns
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